History of collections: making, reconstruction and interpretation

The course discusses collections and the concept of collections in relation to art-historical objects. In addition, the course explores the concept of historical provenance and discusses scientific methods for the reconstruction and understanding of this concept.
Sculptures in art gallery.

Musei Capitolini. Photo: Anna Bortolozzi

The course provides in-depth knowledge relating to the art market of the past and the present, with a particular focus on the flow of the art object from its original context, via the market, to an institution. In addition, the course discusses the role of historical documentation for the understanding of older collections and the various archive typologies used in the reconstruction of historical collections. Finally, the course provides in-depth knowledge of art-historical and interdisciplinary methods for reconstructing and understanding historical collections as a whole. The course in spring 2025 ends with a field trip to Rome, which may involve costs for the student (the field trip can be replaced by a written assignment).



Teaching Format

Instruction is given in the form of lectures, seminars, study visits and field studies. The language of instruction is English.


Assessment

The course is examined on the basis of oral presentations and a written assignment.

Examiner

Spring semester 2025
Anna Bortolozzi, Professor

The schedule will be available no later than one month before the start of the course. We do not recommend print-outs as changes can occur. At the start of the course, your department will advise where you can find your schedule during the course.


Note that the course literature can be changed up to two months before the start of the course.


Course reports are displayed for the three most recent course instances.



Your teachers are researchers of Art History Anna Bortolozzi and Sabrina Norlander Eliasson.

Professor Anna Bortolozzi is a specialist in early modern architecture, with particular interest in the relationship between architecture and cultural identity, the reception of classical and Christian traditions; the practice of architects; architectural drawings and their materiality.

Her most recent project examines the role of copies in 18th-century architectural practice.

Watch a film about one of her research projects

More about her research

Professor Sabrina Norlander Eliasson specialises in early modern painting, history of collecting and the socio-economic history of art with a particular focus on eighteenth-century Rome. Her current research project investigates the complex interplay between Art and Natural Sciences during the first half of the 18th century. She is currently Director at the Swedish Institute for Classical Studies in Rome.

More about her research