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Malin FitgerDoktorand

Om mig

Doktor i religionshistoria

Forskningsfält: Nya religiösa rörelser och västerländsk esoterism.

Avhandlingsprojekt: Samtida föreställningar om en subtila anatomi: i belysning av teosofin

Tidigare uppsatser: 

  • Den gudomliga energin: Nutida föreställningar om kundalini, dess bakgrund och roll inom västerländsk nyreligiositet (2004), D-Uppsats i religionshistoria.
  • Introduktionen av begreppet kundalini i väst: Hur begreppet förmedlats till väst av teosoferna, John Woodroffe, Mircea Eliade, Carl G. Jung och Gopi Krishna (2002), C-Uppsats i religionshistoria.
  • Definitioner av andlighet: utifrån ett humanistiskt och fenomenologiskt perspektiv (2002), B-Uppsats i psykologi.

Undervisning

Gymnasielärare i religionskunskap och psykologi

Har medverkat som gästföreläsare om "Yoga inom esoterismen" och "Yoga inom New Age" på kursen Västerländsk esoterism vid Stockholms universitet.

Publikationer

I urval från Stockholms universitets publikationsdatabas

  • The Tetractys and the Hebdomad

    2020. Malin Fitger, Malin Fitger. Correspondences 8 (1), 73-115

    Artikel

    This article traces essential sources behind the Western reception of Sanskrit terminology on the concept of subtle anatomy, focusing on the late nineteenth-century when the Theosophical Society and its forefront, Helena Petrovna Blavatsky, first presented it to a Western audience. A doctrinal change took place around 1880–81 in an interaction between American, European, and Indian Theosophists, distinguishing Blavatsky’s major works Isis Unveiled (1877) and The Secret Doctrine (1888). The subject of how and why the first doctrine of three human principles (body, soul, and spirit) developed into her later version including seven human principles is carefully examined. A new hypothesis on why the number seven became the backbone of Blavatsky’s entire cosmology is also presented. According to this, the seven-fold subtle anatomy was there since the grounding of the Theosophical Society (1875) and was rooted in specific numerological, mathematical, and geometric speculations which Blavatsky shared with several other contemporary authors. The article explores Blavatsky’s interpretation of some related arithmological themes in nineteenth-century American literature such as the Pythagorean tetraktys, “the tetrad,” “the pyramid,” “the cube,” and “the hexagram.”

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  • Pyramiden, tetraktysen och heptaden

    2019. Malin Fitger. Chaos 71 (1), 141-200

    Artikel

    The notion that man besides his physical body also possesses subtle anatomy is central to contemporary holistic spirituality and Esotericism as well as to alternative medicine and Modern Yoga. Concepts related to subtle anatomy can historically be found in religious traditions worldwide. However, the contemporary “Western” subtle anatomy has a relatively standardized sevenfold structure, linked to seven chakras, described as subtle energy centers in the human body. The article discusses a central period in the late 19th century when the Theosophical Society and its most significant forefront, Helena Petrovna Blavatsky, presented the concept of subtle anatomy to a broader Western audience. It also deals with the question of how the doctrine of three human principles (body, soul, and spirit) developed into her teachings of the seven human principles. A change took place around 1880-81, in an interaction between American, European, and Indian theosophists, and there is a shift of doctrine between Blavatsky's two major works Isis Unveiled (1877) and  The Secret Doctrine  (1888) where the latter contains her sevenfold cosmology in total. In Modern Yoga, the doctrine of subtle anatomy is usually linked to Eastern traditions, especially Hinduism, but how important was the Theosophical Society’s move to India in terms of changing Blavatsky’s teachings of the human principles? Was it the exchange of ideas with Hindus and Buddhists that initiated its development? The article explores another hypothesis which instead traces Blavatsky’s teachings about the seven principles back to influences before the move to India, as well as to specific numerological, mathematical and geometric speculations that she shared with several thinkers in her time. Similar ideas in New Age literature would go as “Sacred Geometry.” The article presents arithmological conceptions that were common among late 19thcentury occultists, spiritualists, and “mythographers.” These include in particular: The number seven, Pythagoras tetraktys, the tetrad, the pyramid, the cube, and the hexagram.

    Läs mer om Pyramiden, tetraktysen och heptaden

Visa alla publikationer av Malin Fitger vid Stockholms universitet