Stockholms universitet

Branka MarusicBiträdande lektor

Om mig

Jag är biträdande lektor i immaterialrätt och jurist i Kroatien (qualified lawyer) med en mångsidig yrkeserfarenhet som arbetar som jurist, akademiker och rådgivare i projekt som involverar harmonisering och kodifiering av lagar i EU. Min arbetslivserfarenhetsfocus är harmonisering av lagar i EU där jag har deltagit i över 40 projekt för EU-kommissionen. Under min akademiska karriär har jag använt denna arbetslivserfarenhet för att observera harmonisering av immaterialrätt inom EU för vilket jag har skrivit en monografi (doktorsavhandling) och mer än 30 olika vetenskapliga tidskriftsbidrag. Jag har en LL.D. och en L.L.M. examina från Stockholms universitet, samt mag.iur. examen från Zagrebs universitet.

Undervisning

Jag undervisar i immaterialrätt och EU-rätt vid svenska och kroatiska universitet.

Forskning

Mitt huvudsakliga forskningsområde är harmonisering och kodifiering av lagar i EU. Min bok The Autonomous Legal Concept of Communication to the Public: Interpretation in EU Copyright Law handlar om harmonisering av upphovsrätt - särskilt upphovsrätt på internet. Huvuddelen av min forskning handlar om kreativa branscher och hur digitalisering, lagstiftning och tolkning av denna lagstiftning påverkar dem. Jag deltar regelbundet i konferenser om immaterialrätt och EU-rätt som föreläsare och talare. Under 2023/2024 var jag baserad i i Oxford som SCCL-Oxford Fellow. En översikt över mina publikationer finns på DiVA.

Gästforskare

Research Associate vid Centre for Commercial Law Studies at Queen Mary, University of London (mars-juni 2019)

Stagiaire vid EU-domaren Sascha Prechal (Nederländerna) vid EU-domstolen (september-oktober 2019).

Akademiska tidskrifter

Jag skriver för GRUR International (OUP och C. H. Beck), en akademisk tidskrift som specialiserar sig på immaterialrätt och konkurrensrätt, som nationell reporter för Sverige. Jag sitter också i redaktionen för ERT – Europarättslig tidskrift.

Publikationer

I urval från Stockholms universitets publikationsdatabas

  • The Autonomous Legal Concept of Communication to the Public: Interpretation in EU Copyright Law

    2023. Branka Marušić.

    Bok

    The economic right of a copyright holder to communicate to the public has become an increasingly important and complex issue in recent years, this is partially due to changes in the way that content is accessed and consumed online. This innovative book analyses the right of communication to the public, taking account of what legal standing an autonomous legal concept can hold, and how this is impacted by wider harmonisation efforts at an EU level.

    The book explores the scope of the right of communication to the public in a twofold manner: Firstly, it examines the legal standing and effect, from a constitutional perspective of an autonomous legal concept. Secondly, it analyses CJEU case law, grouping cases by type of communication model to demonstrate what kind of authorisation is required to permit widened communication to the public online. Marušić builds on both strands of analysis to propose an operational model of communication for future use, that can aid in identifying and remedying infringements.

    Providing novel analysis on the definition and status of autonomous legal concepts in the EU, and setting this analysis against the context of harmonisation processes, this book will be of great interest to scholars working in both copyright law and EU law more widely.

    Läs mer om The Autonomous Legal Concept of Communication to the Public
  • The mere provision of physical facilities for acts of communication to the public revisited - joined cases Blue Air and CFR (C-775/21) and (C-826/21)

    2023. Branka Marušić. European intellectual property review 45 (9), 551-556

    Artikel

    The inclusion of the term "mere provision of physical facilities", as evidenced in the preparatory works for the World Intellectual Property Office Copyright Treaty (WCT), was to shield internet service providers (ISPs) from liability for infringing communication to the public originating with a third party. In the European Union (EU), this term has been introduced as a recital to the InfoSoc Directive, and as such was applied beyond its original purpose. Primarily, it has been used to related rights and secondly, it has been applied in physical realities, assessing liabilities of hotels, rental cars, aircraft, and trains for copyright infringement. The assessment was based on focusing on what is a "physical facility" and what is a "mere provision". The Blue Air and CFR case offers two insights into the "mere provision". The first insight is that a mere provision can be automatic in nature. The second insight is that the automation that enables an act of communication can be for the benefit of travellers independently of their will.

    Läs mer om The mere provision of physical facilities for acts of communication to the public revisited - joined cases Blue Air and CFR (C-775/21) and (C-826/21)
  • Nihil Sub Sole Novum: The CJEU Ruling on the Validity of Article 17 of the DSM Directive

    2022. Branka Marušić. NIR 2022 (3), 281-294

    Artikel

    This article discusses the validity challenge of Article 17 of the DSM Directive by analysing three legal issues put forward in the CJEU’s judgement: the severability of provisions contained in directives, the liability regime contained in Article 17 of the DSM Directive, and whether this Article safeguards the essence of Charter’s fundamental rights.

    Läs mer om Nihil Sub Sole Novum
  • The implementation of Article 15 of the DSM Directive in Croatia: a gold-plating provision

    2022. Branka Marušić. Journal of intellectual property law and practice

    Artikel

    • ‘Gold-plating’ is a term widely used with reference to the implementation of European Union(EU) directives. It refers to a situation in whicha national implementing provision extends thescope of an EU directive.

    • In operational terms, a gold-plating provision provides for additional burdens for businesses andindividuals alike; most importantly, it interfereswith the expected aims that a directive seeks toachieve.

    • Te Croatian implementation of the DSM Directive (Directive 2019/790) has several examples ofgold-plating provisions. In this article, only one isdiscussed: the transposing provision of Article 15.

    Läs mer om The implementation of Article 15 of the DSM Directive in Croatia
  • The concept of terroir tested

    2021. Branka Marusic. Journal of Intellectual Property Law & Practice 16 (4-5), 435-441

    Artikel

    This article

    This article looks into wine as a credence product, whose bond of trust is vested in the concept of terroir as a signal to the consumer that the wine she or he is buying originates from a specific location and is made in specific circumstances. The main question of the present analysis is what the legal consequences are when such terroir is shared between two EU Member States, looking into the examples of wines Tokaj and Teran.Arguments advanced in the article are that, on the EU-wide level, there are two effects of the shared terroir. The first effect is a shared PDO; and the second effect is an artificial enlargement of terroir that is not linked to the original geographical position. 

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  • Author’s Right to Choose

    2020. Branka Marušić. EU Internet Law in the Digital Era, 137-160

    Kapitel

    This chapter provides an analysis in the material scope of application of the moral right of divulgation and the economic right of communication to the public in the EU’s digital single market. The aim is to bring forward arguments why the application of both rights should only be addressed through the protection afforded by the economic right. The rationale behind this is that the right of divulgation, as a moral right of the author, and the right of communication to the public, as an economic right of the author, both share the same trigger point for their application. This trigger point consists of the author’s choice in sharing her or his work with the public, in which the author of the work also chooses the manner, shape and place where this sharing will occur.

    Unlike the economic right of communication to the public, which has been harmonised in the EU, the right of divulgation, as a moral right is deeply rooted in the national legislative and judicial interpretation of the Member States that recognise this moral right of the authors. In line with this and for this chapter, analysis of the material scope of the application of the right of divulgation is evaluated through the monistic and dualistic approach to the regulation of copyright, and the jurisdictions that are analysed are primarily France and Germany.

    Against this background, the analysis in the chapter provides for overlapping interpretational criteria of both rights that encompass an act of sharing, the definition of what the public is, and what the modes of dissemination of work are.

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  • Derogating Regulative and Enforcement Powers in Copyright Protection in the Digital Market: A Trojan Horse for the EU?

    2017. Branka Marušić. Croatian Yearbook of European Law & Policy 13, 169-190

    Artikel

    The proposal for a Directive on Copyright in the Digital Market contains a proposal to harmonise protection of copyright in the digital market and to close the so-called 'value gap'. The value gap is a term that, in the realm of online copyright dissemination, signifies a situation where the right holder (for example, the author of a song) is not adequately remunerated for his or her work. This situation usually occurs when his or her song is made available on an online platform, such as YouTube, and he or she is not paid for the use and enjoyment of the work. The current market mechanism to tackle this problem is done via licensing schemes.

    This paper will analyse the possible Trojan horse that is hidden in this proposal in order to ask whether, when it comes to online regulation and enforcement of copyright, the deployment of article 114 TFEU is the correct legal basis for the EU to enhance accountability of internet service providers in the regulation and enforcement of copyright.

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