Malin Wahlberg Professor
Kontakt
Namn och titel: Malin WahlbergProfessor
Arbetsplats: Institutionen för mediestudier Länk till annan webbplats.
Besöksadress Rum 6144aBorgvägen 1-5 Filmhuset
Postadress Institutionen för mediestudier106 91 Stockholm
Om mig
Since 2012, I am teaching classes on all levels at the Unit for Cinema Studies, courses include undergraduate classes on contemporary media cultures; documentary Cinema; Gender and Moving Images; Master class in Film and Media Theory, ”Film Experience: Theories and Approaches”. Publications in peer review journals, themed volumes, as well as reflection pieces and short essays for cultural journals and online venues result from my longstanding research interest in cinema and philosophy, in cinema as a temporal artform and as a ”technology of memory”, in film and historiography. I am fascinated with the cultural, social and ideological implications of cinema and film cultures; with the formative role of moving images in the production and re-production of cultural memory, including the creative approaches and critical inquiries by filmmakers and visual artists that result in thought-provoking allegories of cinema, or re-framings of visual practices and screen cultures.
In recent years, my research has included archive-based inquiries into documentary production in the context of early Swedish television. My theoretical work has also been inspired by contemporary gallery film and installations, in the productive overlap between documentary cinema and experimental film and video.
Peer Reviewed Research Outlets
Hongisto, Ilona och Wahlberg, M., Special Issue: Scandinavian Documentary Cinema. Journal of Scandinavian Cinema, Vol 6, no 2, 2016: 73-200.
Wahlberg, M., Documentary Time. Film and Phenomenology, (Minneapolis och London:
University of Minnesota Press, 2008)
Jansson, Tobias och Wahlberg, M. (red.), TV-pionjärer och fria filmare, (SLBA, Mediehistoriskt arkiv nr. 9, 2008)
Wahlberg, M., ’Vietnam in transmission: Documentary film and solidarity programming in Swedish broadcasting culture (1967-72)’, i Journal of Scandinavian Cinema, vol 7, no 1, 2017: 43-64.
Wahlberg, M., ‘Artfilm in prime time. Educational programming, cultural heritage and experimental images in early Swedish television’, i Journal of Scandinavian Cinema, vol 5, no 3, 2016: 241-258.
Wahlberg, Malin., ‘Archives of the present − memory work in the making: ”Transmission from the Liberated Zones” (Filipa César, 2015)’, i ’Exhibition review section’, NECSUS, Amsterdam University Press, Spring 2017
Wahlberg, M., ‘Adventures in murky waters: The enactment and commemoration of Kon-Tiki’, in Journal of Scandinavian Cinema, vol 3, nr 2, 2013: 141-149.
Wahlberg, M., ‘Wonders of Cinematic Attraction. J. C. Mol and the Aesthetic Experience of Science Film.’ Screen 47, nr 3, Autumn, 2006: 273-289.
Wahlberg, M., ‘Inscription and Re-framing: At the Editing Table of Harun Farocki.’ Journal of Art History/Konsthistorisk tidskrift vol 73, nr 1, 2004: 15-26.
Non-Peer Review Outlets
Wahlberg, M., ‘Vittnesmålet och den hörbara tystnaden i 48’, i Walden. Tidskrift för filmkritik, Nr. 3-4, höst/vinter 2016: 81-87.
Wahlberg, Malin., ’Essäfilmen som mediekritik: Tankar om gränssnittet och bildens otillräcklighet’ i Walden. Tidskrift för filmkritik, nr 10, 2014
Wahlberg, M., ’Memory, History, Forgetting in Documentary Art: Sounding Recollections of a Conflicted Past’, in Andrej Slávik and Birgitta (eds), Towards an (audio)visual historiography. Stockholm: The Royal Swedish Academy of Letters, History and Antiquities, (2018).