The dissertation 'Framing the 1970-1990s Image Industry; the New York Downtown Scene and the Fabrication of Style through Music Videos and MTV' places the New York underground music and art scene at the focal point to explore the material culture on the Lower East Side and the cultural scene it embodied and nurtured.

Luxury, Fashion and the Early Modern Idea of Credit addresses how social and cultural ideas about credit and trust, in the context of fashion and trade, were affected by the growth and development of the bankruptcy institution.

The purpose of this volume is to investigate how luxury fashion is conceptualized, marketed and branded in order to convey meaning, to create value and to capture the consumer’s interest by using examples from a variety of communication strategies in media.

The project "Risk management and financial networks in the textile trades in 18th -century Stockholm. Tailors, court tailors, fashioners, dressmakers and sewers as creditors and debtors in bankruptcy files, c. 1765-1799" is led by Professor Klas Nyberg.

The project 'The Genesis and industrialization of Ready-to-wear in Sweden' is led by Klas Nyberg and is outlined in collaboration with the research project 'Stadens ansikten' headed by Associate Prof. Rebecka Lennartsson, Stockholm City Museum. Subject: Fashion Studies. Sub-subject: industrial fashion, textile and ready-to-wear, migration.

The research project "The standardized body: Swedish clothing industry, ca. 1930–1970" is led by Assistant Professor Marie Ulväng, Stockholm University. The project's main language: Swedish Research subject: Fashion Studies Subdiscipline: "Svensk konfektionsindustri".

The research project "With style and quality: The Swedish coat factory, 1930–1970" is led by Assistant Professor Marie Ulväng, Stockholm University. The project's main language: Swedish Research subject: Fashion Studies Subdiscipline: "Svensk konfektionsindustri"