Stockholms universitet

Robert Emil StasinskiGästlärare

Om mig

Robert Stasinski (b 1980) has worked as an artist, critic, magazine editor, author, and curator for over twenty years. Currently Editor-in-chief of Konstnären Magazine, previously editor and contributor of several books including Felix Gmelin – The Aging Revolution, (2006), The Synthetic Supernatural, (2011), The Board Room, (2016) and Soli Deo Gloria (2017), The Heckscher-Ohlin room (Eds. Pierre Guillet de Monthoux, Robert Stasinski, 2018), Aesthetics, Organization, and Humanistic Management, (2021). He is currently course leader in Art & Organizing at Curating Art - the International Master Program in Curating at Stockholm University. He has lectured on topics such as Artificial Intelligence Art, Arts Management, Cultural Policy, Neuroaesthetics and Body Image/Body Politics at Stockholm University, Akademi Valand, Linköping University, Nordic Summer University, Lithuania, Konstfack, KTH, Färgfabriken, IBM Sweden, Moderna Museet, The Stockholm School of Economics, among others.

Publikationer

Stasinski, Robert, & Di Pisa, Alessandra. (2020). The Art of Creating the Unthinkable. Connecting Processes of Engineering, Management, and Aesthetics. In Kostera, Monika. & Woźniak, Cezary. (eds.). Aesthetics, organization, and humanistic management. New York, NY: Routledge. pp. 129-149. 

Stasinski, Robert, & Di Pisa, Alessandra. (2020). Reading the words Like A Train Wreck In A Zoo Next To A Circus. In One word from the Disassembled dictionary: "Non-territorial". Stockholm: Praun & Guermouche. pp. 86-88. My role: co-writer. 

Stasinski, Robert, & Nilson, Isak (eds.) (2016). The Board Room [Therese Bohman, Ingrid Elam, Dragana Vujanović Östlind, Robert Stasinski]. Stockholm: Stockholm School of Economics Art Initiative.

I urval från Stockholms universitets publikationsdatabas

  • Body, mind, and soul principles for designing management education

    2022. Daniel Ericsson, Robert Stasinski, Emma Stenström. Culture and Organization

    Artikel

    In this paper, we advance the conversation about management education by outlining a future scenario of management teaching in which art is employed as a method, learning goal, and methodology. The scenario is informed by our personal experiences of teaching management and art expressed in terms of three design principles for management education: the principles of body, mind, and soul; and it is presented as an ethnography from the future. This future is envisioned to be characterized by four assumptions: that students are co-creators of knowledge; that the role of teachers is to facilitate the students' learning processes; that Artificial Intelligence is an integral part of learning processes; and that the primary learning objective for the students is to develop their relations to the world and contribute with feasible future solutions to wicked problems and global challenges.

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